In my previous post, I began to talk about chords with extended harmony. Extended harmony could be defined as intervals greater than an octave. Last post we talked about ninth chords. With this post we will discuss eleventh and thirteenth…
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“To Infinity And Beyond”. . .: Guitar Fretboard Logic Part VI
Tagged with: eleventh chords, Guitar Fretboard, major chord, minor chord, Music Theory, ninth chords, seventh chords, thirteenth chords
Posted in Guitar Logic, Music Theory
Posted in Guitar Logic, Music Theory
“If Two Were Nine . . .”: Guitar Fretboard Logic Part V
Thank you to all those who have stuck through my series of posts explaining my take of guitar fretboard logic. We started with using octave shapes to help in quickly identify the note at any point on the fretboard. We…
Tagged with: Guitar Fretboard, major chord, minor chord, Music Theory, ninth chords, seventh chords
Posted in Guitar Logic, Music Theory
Posted in Guitar Logic, Music Theory
Three Will Get You Four: Guitar Fretboard Logic Part IV
We are continuing our discussion of guitar fretboard harmony. In previous posts, I outlined how you can play a given major chord anywhere along the guitar neck. We then saw how you can convert the major chord into a minor…
Tagged with: Guitar Fretboard, major chord, minor chord, Music Theory, seventh chords
Posted in Guitar Logic, Music Theory
Posted in Guitar Logic, Music Theory
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