My previous post talked about John Fahey, Leo Kottke and the “school” of acoustic fingerstyle guitarists who created an amalgam of folk, blues and country guitar styles, sometimes mixed with jazz, Indian raga and other world music elements. Wikipedia referred…
Blog Archives
“Like geese farts on a muggy day”: Leo Kottke’s “6- and 12-String Guitar”
Sometime in the early seventies I began reading in Guitar Player magazine about a group of acoustic guitarists. Their music drew upon the traditions of folk, ragtime and blues but often would also incorporate other elements such as Indian raga.…
Tagged with: Acoustic Guitars, Figerstyle Guitar, Fingerpicking, Folk Music, John Fahey, Leo Kotte
Posted in Music Appreciation and Analysis
Posted in Music Appreciation and Analysis
“That High Lonesome Sound” . . : A Very Quick Intro To The Dobro
The dobro is a strange and (IMO) really cool instrument. “Dobro” itself was originally a brand name of resonator guitar. A resonator is the hubcap looking apparatus that sits in the middle of the instrument and gives it its unique…
Tagged with: bluegrass, Country, Dobro, Earl Scruggs, Jerry Douglas, Josh Graves, Mike Auldridge, Rob Ickes
Posted in Country/Bluegrass, Music Appreciation and Analysis
Posted in Country/Bluegrass, Music Appreciation and Analysis
“Sing Me Back Home” . . . : Guitar Great Clarence White
In my previous post, I was talking about the Ken Burns documentary “Country Music” on PBS (see https://roymusicusa.com/2019/09/28/will-the-circle-be-unbroken-banjo-steel-guitar-and-a-word-about-robert-hunter/). While I generally thought it to be excellent there were a few minor quibbles, namely the omission of two great guitarists, Doc…
Tagged with: B-Bender, bluegrass, Clarance White, Flatpicking guitar, Telecaster, The Byrds
Posted in Classic Rock, Music Appreciation and Analysis
Posted in Classic Rock, Music Appreciation and Analysis
“Will The Circle Be Unbroken” : Banjo, Steel Guitar And A Word About Robert Hunter
The last couple of weeks I have been watching the Ken Burns documentary “Country Music” on PBS (go here to stream all eight episodes – https://www.pbs.org/kenburns/country-music/). Tracing it’s beginnings from the 1920’s through to 1996, it’s an excellent introduction to…
Tagged with: Banjo, Country Music, Grateful Dead, PBS, Pedal Steel Guitar, Robert Hunter
Posted in Classic Rock, Grateful Dead, Jam Band, Music Appreciation and Analysis
Posted in Classic Rock, Grateful Dead, Jam Band, Music Appreciation and Analysis
“The Bus Came By And I Got On” . . . : The Rhythm Guitar Of Bob Weir
When I was in college, I roomed for a year with the rhythm guitarist in the Grateful Dead clone band that I was in. It was during many hours of jamming together (yeah, not my best scholastic performance that year)…
Tagged with: Bob Weir, Grateful Dead, Rhythm Guitar
Posted in Classic Rock, Grateful Dead, Improvisation, Jam Band, Music Appreciation and Analysis
Posted in Classic Rock, Grateful Dead, Improvisation, Jam Band, Music Appreciation and Analysis
Midnight Blues . . . : Support Kenny Burrell
During the fifties and sixties, there were a trio of jazz guitarists who (to me at least) epitomized that zone between bebop and blues, Grant Green, Wes Montgomery and Kenny Burrell. Kenny Burrell came from Detroit, a scene in the…
Tagged with: Blue Note Records, Jazz, jazz guitar, Kenny Burrell, Midnight Blue
Posted in Blues, Improvisation, Jazz, Music Appreciation and Analysis
Posted in Blues, Improvisation, Jazz, Music Appreciation and Analysis
