I am pleased to announce the release of a new videos from ManRoy Music. This is part of a series of music videos I released recently with more to come.( See https://roymusicusa.com/2023/12/12/holiday-haiku-2023/ and https://roymusicusa.com/2024/01/15/new-year-new-music-new-videos/) Once again, I want to name check the following artist who influenced this music: Allman Brothers, Grateful Dead, Pink Floyd, Talking Heads, Tycho, Lotus, STS9, Bonobo, Pell Mell and many, many others.
Please feed The Mighty YouTube Algorithm by hitting the video’s like button, subscribe to the channel, leave a comment and all that good stuff.
It’s a new year and I’m starting it off with more new music. As I mentioned in a previous blog post (https://roymusicusa.com/2023/09/23/everythings-in-its-right-place-new-music-project-new-youtube-channel/), I am consolidating all my various music projects under the banner of ManRoy Music. With that, I am pleased to announce the release of two new songs and videos from ManRoy Music. Like the previous music I recently put out (see also https://roymusicusa.com/2023/12/12/holiday-haiku-2023/) the songs reflect my love for jam bands like The Allman Brothers & Grateful Dead, the spaciness of Pink Floyd, the avant funk of Talking Heads as well as electronica artists like Tycho, Lotus, STS9 and Bonobo and post rock bands like Pell Mell, And So I Watch You From Afar and Tortoise.
ManRoy Music – Imaginary Life
ManRoy Music – Close Your Eyes And Breath
I also did the animation for the videos using the open source graphics software Blender. If you’re interested, check out https://www.blender.org/.
One of my favorite albums of all time was released 53 years ago this week. That would be Loaded by The Velvet Underground. I was first exposed to the record by my brother who bought it based on a review in The Village Voice when it first came out in 1970. We had just moved from Brooklyn to Co-Op City in the Bronx and I was definitely not feeling it. This record, among others, helped me get through a long, shitty Winter.
Loaded was the final album Lou Reed recorded as a member of The Velvet Underground. Multi-instrumentalist John Cale had left before the third The Velvet Underground album and drummer Moe Tucker was on maternity leave. It is interesting to note that Lou Reed said, “Loaded didn’t have Maureen on it, and that’s a lot of people’s favorite Velvet Underground record so we can’t get too lost in the mystique of The Velvet Underground… It’s still called a Velvet Underground record. But what it really is, is something else.” Another factor in Loaded being “something else” was the the increased presence of multi-instrumentalist Doug Yule. Yule’s lead vocals were featured on four songs: “Who Loves the Sun”, “New Age,” “Lonesome Cowboy Bill,” and “Oh! Sweet Nuthin’.” Yule also handled all of the bass, piano and organ duties, and also recorded several lead guitar tracks. The guitar solos on “Rock and Roll,” “Cool it Down,” “Head Held High” and “Oh! Sweet Nuthin'” were all played by Yule. Still, Loaded featured Lou Reed’s two best known songs, “Sweet Jane” and “Rock and Roll”, songs that are certified classics.
The Velvet Underground – Sweet Jane (Original Album Version)
I do not consider myself in any way, shape or form to be knowledgeable about Hip-Hop in general or about the Beastie Boys in particular. But being that I consider myself to be musically open minded, I am not automatically dismissive of the genre and being a music nerd, of course I was aware of the Beastie Boys. So one day back in 2007, I was looking through the Arts section of the Sunday NY Times when I saw a photograph of the Beastie Boys dressed in suit, ties, porkpie hats and looking very retro. They were discussing their new record called The Mix-Up and it was all instrumental. If I had to describe it, the term that comes to mind is post-punk soul jazz. I hear Jimmy Smith style organ grooves along with bands like The Meters but also reggae dub bass lines and more abrasive experiment textures you would hear in bands like Public Image Ltd. It makes for a very cool listen that’s perfect for headphones. Everything is super tight but the atmosphere is relaxed. Highly recommended to sooth the soul in these trying times.
B For My Name
14th St. Break
Beastie Boys – Off The Grid (Official Music Video)
Beastie Boys – The Rat Cage (Official Music Video)
I decided to consolidate all my different music projects under one roof, my new YouTube channel, ManRoy Music. I created videos for the music I have on Soundcloud and I’m putting them on the channel, starting with albums I put out under the name The New Jazz Spasms. These are the debut album, Meet The New Jazz Spasms and the albums Travelogue and New York Movie. I will be putting on the remaining New Jazz Spasms music as well as my other projects, Wire, Wood & Steel and Stick Theory, in the near future.
In addition , I am releasing the first single of my latest music project. Below is the video of Sky Song by ManRoy Music, featuring the photography of Kofi B. Kwarteng.
The music reflects my lifelong love of bands like The Allman Brothers, Grateful Dead, Pink Floyd, Talking Heads as well as newer artists like Tycho, Lotus, STS9 and Bonobo.
It started when my brother bought The Band’s eponymous second album (also known as the brown album). I immediately loved the uptempo catchy tunes like “Up On Cripple Creek” and “Rag Mama Rag” but eventually it was songs like “King Harvest” and “Unfaithful Servant” that really affected me.
And the guitar . . It sneaks out in little breaks and fills and the guitar solo at the end of King Harvest still kills me.
The first good guitar I bought was a Fender Telecaster with a maple neck because that was what Robbie Robertson was playing.
I went on to become involved with many different types of music since those days but the impact of The Band’s music and the guitar playing of Robbie Robertson will always be a part of me.
R.I.P Robbie Robertson The Band – The Syria Mosque, Pittsburgh, PA, November 1st, 1970
Songs: Time to Kill The Weight This Wheel’s on Fire Up on Cripple Creek
Don’t Do It │ The Band │ Live At The Academy Of Music, NYC, 1971
King Harvest │ The Band │ Live At The Academy Of Music, NYC, 1971
The W.S. Walcott Medicine Show │ The Band │ Live At The Academy Of Music, NYC, 1971
A couple of weeks ago I was home on a Saturday night with no specific plans when I got a call from my old friend Errol, someone who I have been in bands with on & off for over thirty years. He had an extra ticket to see David Bromberg at the Beacon that night and was I interested? I had not seen Bromberg in concert since sometime in the early Eighties but I knew that he always put on a good show so of course I said yes. It wasn’t till I got to the Beacon that I found out that this would be his final show with his big band and that he was retiring from touring.
David Bromberg started out during the mid sixties folk boom. Being proficient on fiddle, numerous styles of acoustic and electric guitar, pedal steel guitar and dobro, Bromberg gained a reputation through his session work for artists such as Jerry Jeff Walker and Bob Dylan, contributing to Dylan’s Self Portrait and New Morning. It was at the 1970 Isle of Wight Festival where he was backing folk singer Rosalie Sorrels that he was asked to perform an impromptu solo set. The success of this appearance led to his being offered a recording contract with Columbia Records.
His 1971 self-titled Columbia Records release, David Bromberg included his composition “Sammy’s Song”, featuring Dylan on harmonica, and “The Holdup”, co-written with George Harrison. His second album, Demon In Disguise (1972), had him backed up by the Grateful Dead on a couple of songs, most notably “Sharon”, along with his solo rendition of “Mr. Bojangles” which interspersed his virtuoso acoustic guitar with stories about traveling with the song’s author, Jerry Jeff Walker. He went on to record several more albums for Columbia and then Fantasy Records.
The incessant demands of touring took their toll and Bromberg finally brought the band’s recordings and shows to an end in the early 1980’s. Bromberg moved to Wilmington, Delaware with his wife where they owned an extensive violin sales and repair shop, David Bromberg Fine Violins.
The bug to get back performing must of got to him because in 2006 when he released Try Me One More Time. The album was nominated for a Grammy Award in the category of Best Traditional Folk Album in 2008. Since that time Bromberg began touring and making records again but In 2023 Bromberg said that, while he still might play occasional live shows, he would no longer tour with his Big Band and on June 10, 2023, David Bromberg and His Big Band played their farewell concert at the Beacon Theatre in New York City.
I’m really glad that I was there.
David Bromberg – Send Me To The ‘Lectric Chair – 4/15/1977 – Capitol Theatre
David Bromberg Band – Will Not Be Your Fool (4/17/1976) – Capital Theater
Recently, Joni Mitchell returned to the stage for her first official concert in twenty years. This is amazing because it was assumed that Joni was finished with live performing and her very presence on stage was nothing short of a miracle. In 2015, Mitchell suffered a brain aneurysm that not only robbed her of her ability to play and perform music, but also forced her to re-learn how to walk and talk. Then out of nowhere, Joni Mitchell makes a surprise appearance at the 2022 Newport Folk Festival where she was joined by a host of celebrity friends, including Brandi Carlile.
Joni Mitchell – A Case of You (Live at the Newport Folk Festival 2022)
Joni Mitchell – Both Sides Now (Live at the Newport Folk Festival 2022)
Joni Mitchell Talks ‘Blue’, “Both Sides Now”, & Newport Folk Festival with Elton John
Earlier this month Joni Mitchell played an epic, 24 song performance at the Gorge Amphitheater in Quincy, Washington. As it was at Newport, Joni was supported by Brandi Carlile, Annie Lennox, Allison Russell, Marcus Mumford, Sarah McLachlan, Lucius, Celisse and others. Between Mitchell’s own singing, the musicians on stage took turns performing her songs.
Joni Mitchell + Brandi Carlile + Joni Jammers “A Case Of You” 6/10/23 The Gorge
Joni Mitchell’s return to music is a testament to the recuperative powers of making music.
On May 8th, 1977, the Grateful Dead played what many consider, one of their best shows ever. It’s certainly is one of their most famous, that being their show at Barton Hall at Cornell University, Ithaca, NY.
Why the big whoop about this particular show. Well the band was in one of their peak playing periods. They were coming off recording their new album, Terrapin Station for new label Arista. Label president Clive Davis wanted the band to deliver a strong ‘hit’ record and brought in producer Keith Olson. Olsen had the band practice parts until they were nailed and as a result, the Dead were a tight by the time of the the Spring 1977 tour. If you think about it, Clive Davis was indirectly responsible for Cornell 5/8/77. So the band is playing some of the tightest, most musically interesting shows of their career up to that date. And on that night, the band was especially ON.
Another of the reason why this show is so popular is due the the fact that an excellent recording began circulating among fans shortly after the show. If a deadhead wanted to give someone an introduction to the Dead, they would give that person a copy of Cornell, May 8th 1977.
Anyway, to celebrate (?) this day in GD history, here is a video from the YouTube channel Weeping Willow Guitar Lessons who I have featured previously (see https://roymusicusa.com/2020/12/28/a-merry-jerry-holiday-25-days-of-jerry/). Here he provides a collection of solo transcriptions from this classic show.
Time stamped as follows: 00:00 Scarlet Begonias 02:05 They Love Each Other 03:20 Deal 05:04 Brown-Eyed Women 06:08 Estimated Prophet